For everyone who stands in front of a public, an audience.
For poets, theatre makers and performers.
For those of us who feel restricted in being our true self.
For those who want more freedom in body and soul.
About the art of play…
As a child we have played as much as we could, this was our way to learn about life.
At school, we were taught not to play.
Only during a break were we granted this but, with restrictions.
Outside of school, I have often seen this:
a child standing quite still, observing…then suddenly, bursting into running or dropping into the grass and kicking her legs singing a song, or dancing a sacred dance with some invisible other.
Why would I want to re-learn this spontaneity, this just following my im-pulse?
“When I am in communication with an audience, however small, I want to be more free, in connection with my humor and energy.
I want to dare to be imperfect.
It is to connect more deeply, with my creativity, my inner child and the joy of experimenting.”
All of our fantastic designers and inventors know this art of play. We sometimes need to find an inner emptiness, a void of thoughts, worries, structures and comments.
A still point, the courage to surrender to the point where the space opens for new…
This moment is Zen.
When, being part of the audience, we witness such a happening, we hold our breath, feeling the goosebumps for awe and respect.
In this workshop I offer you the space and safety to find out, to unfold. To be like the fool, who steps over the edge of the cliff into emptyness, into the unknown.
Mostly, we will first meet our own protector. This is the self, that we will allow to speak first, so we get to know its language and concerns. Once this controller has had it’s say, has been heard and respected, then we might very well be allowed access to the underlying characters in us.
We learn: THE ART OF PLAY.
Now we can be the dog that is suddenly free from its leash, it jolts into life and expresses its being to the fullest, finding out as it runs along, all the stored energy bouncing off him or her.
What will we do?
The introduction to the day is to relax and arrive.
There will be exercises to build trust and we have a sharing circle, after which some time to be on your own.
Then the time arrives, to be either player or audience, you take turns, sometimes you play a solo, sometimes duo’s or trio’s.
As a facilitator, I will guide and coach you in order to deepen the process. We close the day again with a sharing, for insights and questions.
Workshop: Get to know your inner Critic!
December 7 & 8, 2019 in Rotterdam
daily, 10 to 18 hrs
lunchbreak 13 hrs
coffee and tea are available, bring own lunch and/or something to share
wear comfortable clothing, bring warm jumper or blanket
Cost € 250,-
Special: talk and workshops given by Franki Anderson this november: Rotterdam, Nov 7 & 8
Wijchen, Nov 11-13
Playday for experienced Fools Rotterdam/Capelle Oct 27 ’19
Amsterdam: playshop, the weekend of September 21 & 22 2019
Rotterdam: playshop during weekend August 31 & sep 1 2019
Baarlo, workshops in Festival Open Up, July 24 to 28 2019
Rotterdam: playshop during the weekend of June 28/29 2019
Amsterdam: playshop during June 1/2 2019
Rotterdam: playshop during the weekend of May 25/26 2019
Lydia Petzoldt is a mime performer and actress, she starred in numerous productions and films. She co-founded Vitrine Mime Theatre in 1991. She facilitates The Empty Space playshops, she works as a director, a mime-teacher, as a training-actor. She is a coach for anyone who faces an audience. It was Franki Anderson who introduced her to the Empty Space work in 1993, Franki’s verb for this work is: Fooling.
During her career as an actress, Lydia has continued to touch down during the workshops with Franki, finding more and more inner space to perform from.
Lydia loves thinking upside down and gives fantastic feedbacks.
Mailadres: [email protected]